Classics for the Masses: Shaping Soviet Musical Identity under Lenin and Stalin (Pauline Fairclough) ; Yale University Press, 2016
Автор(ы): Pauline Fairclough;
Издатель: Yale University Press
ISBN: 9780300217193
ID: SKU316979
Добавлено: 17.08.2021
Цены
Магазин | Цена | Наличие |
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Лабиринт 5/5 | ||
Читай-город 5/5 | ||
МАЙШОП 5/5 | Один из первых книжных интернет-магазинов, работающий с 2002 года | |
Описание
Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.
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О книге
Автор(ы) | Pauline Fairclough |
Переплет | Твёрдый |
Издатель | Yale University Press |
Год издания | 2016 |
Кол-во страниц | 296 |
ISBN | 9780300217193 |
Формат | 156x235 |
Автор | Pauline Fairclough |
Авторы | Pauline Fairclough |
Ссылки на авторов | https |
Переплёт | Твёрдый |
Год публикации | 2016 |
Язык | Английский |
Количество страниц | 296 |
1 ms.
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